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No matter how many times we tried to record this it always seemed too fast and jerky to me with Mike always seeming to race and lagging on the lyrics. Paul had the same issues with the guitar parts. The band had other tunes that, to me would have worked better here. It took almost as long to record this song as the Four Horsemen. It was the same in concert and was never well received. I finally got the guys to slow the tempo and it sounded better and played better. Certainly it showcased Mark's piano skills but also showed Mike's less-than-delicate ballad voice and dissed the rest of the band. It was irritating to me but there it stayed! It was easier to record as we recorded Mark's piano then later came back to Mike at a different time.

We used our 7' Mason and Hamlin grand studio piano. I was talking to Joe just the other day and he did not even remember this tune! I was less happy with the studio version. In concert the opening with the synths was essentially the same but Dana would take the lead in with a snare intro. The studio version with the tubular bells and triangle intro was difficult to record the triangle kept overloading the freaking preamp in the console and we just didn't catch it! They had made the decision to take out that element and use some synth montage thing at the end. When I heard that I just freaked. The continuity of the song was ruined. I raised such a fuss they went back to the in-concert ending but kept the crappy beginning. While the album was being recorded the band hired a local artist for the jacket art.

The tapes were delivered to a mastering facility and then on to the pressing plant. We were in business!!! The records were carried to every major record store in the Rockford area and passed out to every local record station. As I recall three stores agreed to sell the record and one radio station actually played the album in its entirety. We always carried a few LP's with us and offered them at gigs. Unfortunately we didn't sell too many. Albatross went through some changes shortly after the album. They tried costumes ala Jethro Tull. The lighting system was expanded to professional level; anything to draw some attention to themselves. The album was not selling. Disco was becoming more popular and live progressive music less popular; and they were totally overshadowed in the Rockford market by Cheap Trick. Sidebar - Bun E. Carlos happened to be Mark Dahlgren's cousin Note: The band was getting absolutely clobbered and pushed aside.

In an effort to become commercially viable the band went into hiding for eight weeks to re-tool. Even the live sound guy me was not allowed in the practice sessions. Coming out of isolation for a gig in Rockford I was informed that they had an entirely new set. They still refused to even give me a song list telling me only that they would start with an original that had been in the line-up since the beginning of the group, a song called "Saturday". To my astonishment the band appeared on stage sans costumes something that had been poorly implemented anyway! After "Saturday" I was given the play list. I was flabbergasted! There were songs from a variety of artists that included Bob Seger, Queen, the Beatles, other rock acts of the time, even Gino Vannelli!!! I have to blame myself for the last; I had introduced the band to Gino!

I could not believe my eyes or ears! It seemed that the world had turned on end, that dogs and cats would soon be mating and that the lions would lie with the lambs! The only other original song they played that night was "Mr. To best of my knowledge they never played "The Four Horsemen" again!

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To me Mr. Natural was a fun song. It always went over well in concert because it was an up tempo tune that the crowds liked. A lot of that had to do with Mark Dahlgren's crazy antics with an old man mask and a long extension cable on his ARP pedal. He would don the mask and run into the audience frightening the girls truly! When Mr. Natural was recorded some of the live feel and performance antics, of course, was lost. The recording was fairly straight forward with few overdubs. I was the voice of Mr. As I remember Mike Novak was in the studio trying voice after voice and not quite getting where we wanted to go. I finally told Joe: We played a cassette dub of it before any live performance of Mr. Natural thereafter. Side 2: To me it was just a hot mess. After a long involved intro using a real pipe organ intro recorded at a local church it just jumped into these strange time signatures and tempos.

No matter how many times we tried to record this it always seemed too fast and jerky to me with Mike always seeming to race and lagging on the lyrics. Paul had the same issues with the guitar parts. The band had other tunes that, to me would have worked better here. It took almost as long to record this song as the Four Horsemen. It was the same in concert and was never well received. I finally got the guys to slow the tempo and it sounded better and played better. Certainly it showcased Mark's piano skills but also showed Mike's less-than-delicate ballad voice and dissed the rest of the band. It was irritating to me but there it stayed! It was easier to record as we recorded Mark's piano then later came back to Mike at a different time. We used our 7' Mason and Hamlin grand studio piano. I was talking to Joe just the other day and he did not even remember this tune! I was less happy with the studio version.

In concert the opening with the synths was essentially the same but Dana would take the lead in with a snare intro. The studio version with the tubular bells and triangle intro was difficult to record the triangle kept overloading the freaking preamp in the console and we just didn't catch it! They had made the decision to take out that element and use some synth montage thing at the end. When I heard that I just freaked. The continuity of the song was ruined. I raised such a fuss they went back to the in-concert ending but kept the crappy beginning. While the album was being recorded the band hired a local artist for the jacket art. The tapes were delivered to a mastering facility and then on to the pressing plant. We were in business!!!

The records were carried to every major record store in the Rockford area and passed out to every local record station. As I recall three stores agreed to sell the record and one radio station actually played the album in its entirety. We always carried a few LP's with us and offered them at gigs. Unfortunately we didn't sell too many. Albatross went through some changes shortly after the album. They tried costumes ala Jethro Tull. The lighting system was expanded to professional level; anything to draw some attention to themselves. The album was not selling. Disco was becoming more popular and live progressive music less popular; and they were totally overshadowed in the Rockford market by Cheap Trick. Sidebar - Bun E. Carlos happened to be Mark Dahlgren's cousin Note: The band was getting absolutely clobbered and pushed aside.

cheap price Sony DVD Architect Pro 5