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Learn how to optimize Photoshop performance. Compatibility Will Photoshop run on my computer? Visit the Photoshop system requirements article to find out if Photoshop will work on your computer. What cameras does Photoshop support? Photoshop uses the Adobe Camera Raw plug-in to import and enhance raw images from many different cameras. For a list of the supported cameras, see Cameras supported by Camera Raw. What graphics cards work with Photoshop? By using a compatible graphics processor also called a graphics card, video card, or GPU with Photoshop, you can experience better performance and take advantage of more features. Get a list of tested graphics cards and answers to common graphics processor questions. Is Photoshop available in my native language?

Get a full list of languages support by Photoshop. Where can I find Photoshop release notes? You can find release notes for the current and previous versions of Photoshop on the release notes page. Previous versions I'm using an older version of Photoshop. Yes, possibly. Read this article to learn how to optimize your use of previews and get other tips for optimizing performance. Lightroom Classic CC keeps crashing. What can I do? Follow these basic troubleshooting steps to fix most issues in Lightroom Classic CC. What color space does Lightroom Classic CC use to render color? In other modules, it uses the Adobe RGB color space. The latter gives you options to start finding faces in your entire catalog or to only find faces on an as-needed basis. To test this, I chose the first option, and the program began detecting faces right away. It built a grid of unnamed people, stacking those that it detected as being close enough to be considered one and the same person.

It's interesting how a person in the same session but with a different expression sometimes isn't included in his or her stack. Once it's done detecting, you type a name into the box with a question mark below the photo or stack, and it pops right up into the Named People section. Once you name a few, Lightroom proposes names for unnamed face shots. You just hit the check mark if it's correct. It's one of the smoothest and simplest implementations of people tagging I've seen. Adobe has clearly studied how other apps do this and come upon a great interface and process. I am also impressed that in my testing it only claimed one nonhuman image—a pattern in asphalt—had a face. It did have some trouble with profiles and faces partially hidden by hats and other clothing in my testing. Once faces are tagged, you can always get to them by tapping the same face icon in Library mode, but I wish you could also easily create smart albums based on peoples' names or even use a People mode as you can use Map mode.

Face detection might seem like a consumer feature, but pros who shoot events with lots of faces could certainly make good use of it. Raw Profiles Most Lightroom users probably know that working with raw camera files offers the most leeway when you're correcting images. It lets you change the image's white balance after the fact and enables you to bring out more detail in over and underexposed areas. Lightroom translates raw data from the camera sensor into a viewable image, using a rendering Profile. The Profile option already existed in Lightroom and Camera Raw, but it was way down at the bottom of the Camera Calibration section and only offered a few basic choices, most of which were based on your camera manufacturer's software. Now they're at the top of the Edit adjustment panel in the Basic section.

These Profiles reflect Adobe's color technology more than that of the camera maker. It's important because it's the starting point for any other editing you do, so it makes sense to put the option at the top. One quibble is that I wish the option had also been added to Library mode's Quick Develop section; after all, if it's the first thing you should do, it would make sense to have it there. For a while, I've considered that Capture One has done the best job of initial raw conversion—that pictures look better right after you import them and before you make adjustments. Phase One's software brought out more detail and color than Adobe's blander Standard Profile. Click to enlarge. Profiles are grouped into two basic categories: The raw Profiles only work with raw images, while the last four are special effects that also work with JPG images. Adobe Color is the default for newly imported photos. It gets a bit more contrast, warmth, and vividness out of the photo than Adobe Standard, which is the same as the previous version of Lightroom.

For several of my test shots, particularly of color portraits and landscapes, I now actually prefer Lightroom's initial rendering to Capture One's. Any photos you've already imported will retain the legacy Adobe Standard Profile, so you may want to go back and switch that to Adobe Color or one of the others if you're working on an older shot. Camera Matching Profiles are based on your camera manufacturer's image rendering. I found these less effective than Adobe's Profiles. The Monochrome Profile is a better option than starting with a color Profile and then converting to black-and-white. That's because it starts from the raw camera image. Portrait is supposed to reproduce all skin tones accurately, and Landscape adds a lot more vibrancy, since there are no face tones to worry about distorting. Neutral has the least contrast, useful for difficult lighting situations, and Vivid punches up saturation and contrast. The Creative Profiles may remind many people of Instagram filters.

I'm disappointed that they have names like Artistic 01, Modern 04, and so on. I'd prefer names that give you a sense of what the effect does rather than numbers. For example, Instagram users know what the Valencia filter looks like. Despite that quibble, the Creative Profiles really do add moods, usually without being overdone. In some cases, they produce a one-step improvement. Enhance Details A new tool for raw camera files is Enhance Details, which has landed in both flavors of Lightroom in the February 2019 update. The feature is intended to clarify complex parts of an image. It's a very subtle effect, and for many photos, it doesn't do a whole lot, especially for parts of the photo that contain consistent texture, such as the sky. You access the feature from the Photo menu or from a right-click menu , and then it shows you a dialog with a detail view of your shot.

Running it creates a new DNG file. It's a very compute-intensive operation, and even crashed my system on one occasion. On some shots, the difference wasn't noticeable at all, and on some, it was only noticeable at 2: I did see more detail in a shot of wet pavement, and it could certainly make a meaningful difference in a large print. However, it doesn't feel close to a 30 percent improvement in detail. In the following shot, if you click and view full size, the gravel on the right side looks more gravelly. In the shot below, the medallion shows more detail to my eyes though not to those of some of my coworkers. Still, I'm not convinced that it has 30 percent more detail. Photo Adjustment In the Develop mode, sliders for adjustments like Exposure, Contrast, and Blacks all sit right in the middle of their tracks at zero, letting you slide them up and down. Having everything set to a 0 baseline and slider motion up to 100 and down to -100 makes good sense. The program's shadow and highlight recovery tools let you bring out a dark face without blowing out the bright sky in an image, for example.

You can also do this with an adjustment brush, but the effect is more natural when applied with Lightroom's Highlights and Shadows sliders. Most photo apps these days, however, include shadow adjustment, even the free Microsoft Photos and Apple Photos. A basic behavior of all the lighting sliders is that moving them to the left always darkens the image, to the right brightens.

There are now two versions of Lightroom. Which one do you need help with?

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Lightroom Classic CC Learn & Support

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You can import photos from a folder on a hard drive , from a camera or card reader , or from a tethered camera. How do I export or save photos? How do I create or delete a catalog? Learn how to create and manage catalogs , including how to delete, copy, and export them. How do I use HDR merge? HDR merge lets you merge multiple exposures to create high-contrast photos. Learn how in this short video tutorial. Please note that we are moving to a new blog home. Check it out here New Auto Settings, powered by Adobe Sensei Auto has been completely reworked to create better results, every time. Lightroom CC on Desktop Tone Curve The Tone Curve is one of the most popular tools used by photographers for advanced control over the tonality, contrast, and color balance of an image. You can use either the Parametric Curve or the Point Curve modes to tune the tonality and contrast of the image, and the Red, Green, and Blue modes to adjust the color balance and stylize your image.

The Tone Curve lives next to the Auto button in the Light panel — check it out and let us know what you think. You can use the Split Toning tool to simulate traditional black and white tints and toners like sepia or selenium toners, simulate printing on colored paper, or create a modern stylization on color images. Split Toning lives in the Effects panel. Select a photo or series of photos and use the pencil icon in the Info panel to change capture time. Lightroom CC will update the capture date and make sure that your photos show up on the right day and time in the organize view, making it easier to find your photos when you need them. App Shortcuts — For Android Nougat and later devices, tap and hold on the app icon to quickly launch the app into popular modes. I used it in the photo below to brighten the bird while leaving the rest of the photo alone.

Lens Corrections Lightroom offers profile-based lens correction for geometry, vignetting, and chromatic aberration. Lightroom's automatic chromatic aberration correction is now equal to that in the excellent DxO Optics Pro. Lightroom also does an excellent job of removing image noise. An Adobe Exchange panel applet streamlines the process of plug-in installation. Upright Perspective Correction The Upright tool, which corrects geometric distortion that comes from pointing your camera up at a subject, for example, is something Lightroom shares with Photoshop CC. In Develop mode, under Transform, you see the Upright option, which attempts to correct perspective problems such as those you get with wide-angle lenses. In addition to Off, you have five modes of operation for this tool: Level, Auto, Vertical, Guided, and Full.

The Guided option is possibly the best. I tried it out on a cityscape and an indoor shot, and the result was a definite improvement compared with the original's off-kilter angles. Note that when you have people in your shot, especially on the sides of a wide shot, it's harder to get everything looking natural. The app offers control guidelines that you can draw on the image to match straight lines, such as building edges or wall joints. The correction only appears after you draw two guidelines on your photos, but you can add up to four. Unfortunately, that wasn't enough to correct the perspective of my Boundary Warped panorama from the previous section. In my testing, this feature did a great job straightening out perspective without warping people's faces. A product aimed at nothing but this problem, DxO ViewPoint , is another option if this type of correction is important to you. Of course, Lightroom still offers manual sliders to adjust geometric distortion, but that can be dicey, especially where people are in the photo.

Upright is a valuable tool, especially if you shoot geometrical structures such as signage. And it's not something you find in most photo workflow competitors. Healing Brush Photoshop users will be familiar with the term Healing Brush. What this tool does is to let you actually remove an object from your photo, replacing it with a texture and color from another area in the photo. You can even select a non-circular region for the correction. This is a big help, since most objects aren't perfectly circular, and you might want irregular shapes to retain the original image. The tool's Visualize Spots setting displays a negative of your picture so that you can see spots you may have missed. This actually showed me some subtle spots on a wall that I'd missed in normal view. Lightroom's Map mode can take advantage of this data, showing photos' exact locations. Videos, however, aren't fair game for mapping. The program sends your photos' GPS coordinates to Google for this, so you may want to consider your privacy when using Map mode.

The map shows thumbnails of the located images. Double-clicking these opens them at full size. Books Adobe has teamed up with self-publishing service Blurb to bring you powerful yet easy book design and printing. In the Book module, you can tinker with the page layouts, or completely automate the process with the Auto Layout option. You can choose from several preset layouts for any page, or save your previously designed layouts for future use. I quickly produced a beautiful book in the app in under an hour, but you could spend a lot more time to perfect the layout. For standard photo printing, check out my roundup of photo printing services. Sharing Photos Not only does Lightroom continue to support many output options for which plug-ins are available, but built-in support for Flickr and Facebook also makes uploading to those popular sources easy. Facebook and Flickr comments and likes and are visible right inside Lightroom. Very cool. You can also upload video directly to these services, or share a photo via email with a right click.

One export option is to submit your images for sale on Adobe Stock. The export plug-in for this is installed by default. To start submitting your work, you need not only a Creative Cloud account, but also a Stock contributor account, which is pretty easy to set up and just requires ticking a few checkboxes. After that, submission is a simple matter of dragging photo thumbnails to the Adobe Stock Publishing Service area in Library mode, and then describing them on the website. Adobe automatically tags recognized objects like buildings, which makes it even easier. The hardest part came right when I went to submit my first batch of photos. You have to scan an ID that proves your age. A few of my upload attempts for this were rejected. But who knows? You may finally make some money from your hobby.

Unlike Lightroom CC, however, Lightroom Classic doesn't support the desktop operating systems' built-in share features. Mobile Apps For Creative Cloud subscribers, Adobe offers mobile apps for iOS and Android, and they keep improving and taking more advantage of the platforms' new capabilities. Lightroom for iPad now supports split-screen mode, and in the Lightroom for iPhone app, 3D Touch is supported, and you can shoot with live filters enabled. Its Pro mode lets you manually set focus, white, balance, and shutter speed, and ISO—pretty nifty. The key reason for the apps, though, is to be able to edit photos in sync with the desktop program. They do this admirably. For more details, see the linked reviews above. Performance Lightroom uses your graphics processor for photo adjustments such as exposure, distort, radial filters, crop, and panning.

If you have a decently powered PC, you shouldn't be detained too long with any Lightroom operations, which isn't the case for the slower Corel PaintShop Pro though that has improved recently. Program startup is also improved:

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